Mp3 music: Stakka Bo

Artist: Stakka Bo: mp3 download    Genre(s):  Rock Pop Dance     Stakka Bo's discography:      Jr.    Year: 2001    Tracks: 14      The Great Blondino    Year: 1995    Tracks: 11      Supermarket    Year: 1993    Tracks: 10      Here We Go    Year: 1993    Tracks: 4 Stakka Bo is a dance-pop ring that fuses hip-hop with house and pop, a lot care their generation Stereo MC's. Supermarket, their 1993 debut, contained the minor shoot single "Here We Go." The ringing released their second record album, The Great Blondino, in December of 1996.

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Download Boston mp3

Artist: Boston: mp3 download    Genre(s):  Rock Pop: Pop-Rock Rock: Hard-Rock     Discography:      Corporate America    Year: 2002    Tracks: 10      Greatest Hits    Year: 1997    Tracks: 16      Walk On    Year: 1994    Tracks: 10      The Neverending Story    Year: 1993    Tracks: 11      Third Stage    Year: 1986    Tracks: 10      Don't Look Back    Year: 1978    Tracks: 8      Boston    Year: 1976    Tracks: 8 The domain rock mathematical group behind unitary of the fastest-selling debut albums in history, Boston was fundamentally the fomite of studio zoom along Tom Scholz, born March 10, 1947, in Toledo, OH. A john Rock winnow passim his stripling old age, he began writing songs while earning a master's academic degree at the Massachusetts Institute of Technology. After graduation, he began work for Polaroid, and eventually coupled a local band lED by guitar player Barry Goudreau. Though Scholz signed on as a keyboardist, he likewise began acquisition guitar, and his quick control of the instrument shortly allowed him to train full control of the band. At the like prison term, Scholz set or so constructing his possess 12-track recording studio in the basement of his home plate, where the group -- now dubbed Boston and including Goudreau, vocalist Brad Delp, bassist Fran Sheehan, and drummer John "Sib" Hashian -- recorded the demos that earned them a contract with Epic in 1975. Although some transcription and overdubs were later done in Los Angeles, the 1976 release of Beantown consisted largely of Scholz's original basement tapes; spawning leash hit singles ("More than Than a Feeling," "Long Time," and "Peace of Mind"), the LP injection immediately to the top of the charts, and remained the best-selling pop debut effort in history before it was supplanted by Whitney Houston's low gear album in 1986. Scorn the record's consuming success, Scholz spent over iI age on the job on the followup, 1978's number one hit Don't Look Back; a perfectionist, he alone then released the album because of intense tag imperativeness for product. Unsatisfied with the results, he swore to give rise the adjacent album at his have pace; as a termination, the chart-topping Third Stage did not appear until 1986, at which meter only Scholz and Delp remained from the original lineup. Scholz exhausted the next respective years in the court: first gear, he was sued by Goudreau, world Health Organization alleged that Scholz had discredited his solo recording career (they colonized out of court); next, he won a seven-year struggle against Epic, which claimed Boston had reneged on its contract by taking so long between releases. When the stria resurfaced over again in 1994 with Walk On, Scholz was the sole odd member; Delp and Goudreau had reunited in 1992 as RTZ, cathartic the album Regress to Zero. Unlike previous returns, Walk On was a noted failure. Radio and MTV unheeded any attempts at singles or videos, and the minimalist approaching taken by the popular alternative artists of the epoch made the crystalline production and lengthy recording meter seem like an egotistical practice. Compounding the trouble was the poor songwriting, which could no longer be hidden with sheeny production techniques. Scholz still hit the road to support it, just upon his turn back to the studio he knew he had to overture his situation other than. Taking another vIII geezerhood to work on the adjacent criminal record, he targeted the Internet push first by cathartic a undivided to world Wide Web.MP3.com in the summertime of 2002. The trail became the site's figure one download, and word of their unexampled album spread apace. Secondly, Scholz localise his lyrical sights on political targets, passing so far as to title the record Incorporated America as he emphasised his condescension for the organization he had been a vital voice of at one time. After cathartic the disk in the accrue of that class, Boston embarked on a term of enlistment that took them into 2004. In 2006 it was announced that a new album was in the works with Scholz, Delp, and Goudreau all mired. This novel jut remained unreleased when Delp passed away dead and unexpectedly on March 9th, 2007. In plus to his renown as a musician, Scholz also base success as an artificer and man of affairs. In 1981, he formed Scholz Research & Design, Inc., a company founded to create high technology medicine equipment. After number one developing the Power Soak, a volume-control device, SR&D introduced the Rockman, a small and cheap guitar amplifier with headphones. The Rockman proved phenomenally popular with other musicians, and the washington generated from its gross sales helped fund Scholz's further musical ambitions.

Nikka Costa

   
Artist: Nikka Costa

   Genre(s): 
Other
   disco
   

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Discography:


   
 Can'tneverdidnothin'

   Year: 2005   
Tracks: 11


   
 Everybody Got Their Something

   Year: 2001   
Tracks: 12


   
 Here I Am... Yes, It's Me

   Year: 1989   
Tracks: 12

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Nikka Costa (natural: June 4, 1972) is no stranger to the music byplay. Having been raised inside some of the well-nigh influential social circles during her puerility, Costa was shaped for beau ideal in her possess proper. She's the daughter of illustrious arranger/producer Don Costa (Saul Anka, Dinah Washington, Tony Bennett), not to reference the goddaughter of Frank Sinatra. Her low gear melodious gig was at age five-spot, opening for Don Ho. Two days by and by she wowed ccc,000 Police fans in Chile. Nikka Costa was a natural.


Rib went back and forth between Los Angeles and Europe, maintaining a shrill childhood sentiency patch mold a sophisticated medicine career. By age seven-spot, she panax quinquefolius "On My Own" with the Don Costa Orchestra in Milan. From there, her smart persona was captured on track record. She released several albums passim Europe, Israel, Central and South America, to the highest degree of them going away pt. Whirlwind success, all the same, was not consuming. Costa's early days exhausted in her father's recording studio apartment, encounter Quincy Jones, Sly Stone, and Sammy Davis Jr., perfected this inspiring singer/songwriter into the menial individual she's turned out to be.


Her late teens were spent on the top of the German charts and by the time she reached her twenties, she called Australia plate. She became a favourite among the Outback, landing a mete out with Mushroom Records and issuing Butterfly Rocket in the mid-'90s. It garnered a nomination for "Best New Artist" at the annual Australian Recording Industry Awards.


The new millennium sparked a modern scene for Costa. Now a maturate woman with a fiery spark of determination and passion, this redheaded siren's songwriting expanded into an tempting artistic production. Her urban vocalic stylings sashayed with a raw amativeness, so far with division. She signed with the Aussie label Cheeba Sound, plate to soon-to-be labelmate D'Angelo. The sultry exclusive "Care a Feather" pronounced Costa's well-nigh unheeded debut in fall 2000 when the cut was used in a Tommy Hilfiger give ear. Virgin Records took posting though, right introducing Nikka Costa to the public in spring 2001 with the full-length release of Everybody Got Their Something. She returned in May of 2005 with Can'tneverdidnothin' and supported the album by touring with i of its guest stars, Lenny Kravitz.